twinklepowderysnow:

quick fef because i wanted to use one of these lovely colour palettes 

twinklepowderysnow:

quick fef because i wanted to use one of these lovely colour palettes 

(via ikimaru)

lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

(via helpyoudraw)

Tags: brush sai

"For an underachiever, you sure did well."

(Source: gokukoku, via zamii070)

Tags: klk

Whoa, when the hell did you get taller than me?

(Source: gurrenlagging, via zamii070)

Sketches (by Glen Keane) and final animation

(Source: mickeyandcompany, via ladybolin)

christophermarkperez:

Ninja ~ out of the Age of Steam
Warrior from the Edge of Time and Beyond the Seam of Space. Powered by an unknowable source. Animated by Spirits Great. Guided by the Hand of Fate.
——Photographer: C’est moiPhotographer’s Assistant: Judith TuranoModel/Couture/MUA: Tithann Thanh
——Strobist Info: Elinchrom BX500Ri into bounce umbrella over camera

christophermarkperez:

Ninja ~ out of the Age of Steam

Warrior from the Edge of Time and Beyond the Seam of Space. Powered by an unknowable source. Animated by Spirits Great. Guided by the Hand of Fate.

——
Photographer: C’est moi
Photographer’s Assistant: Judith Turano
Model/Couture/MUA: Tithann Thanh

——
Strobist Info: Elinchrom BX500Ri into bounce umbrella over camera

(Source: Flickr / christophersoddsandsods, via helpyoudraw)

insecureillustrator:

FULLVIEW please! Treasure hunting is tiring business! Even if it is just RP!
A commission for zeteticrotary! Gosh I love drawing Terezi’s Dragonyy’yd cape! Oh boy, this took a long time, and if I never have to draw stairs or another leaf again, it’ll be too soon! But I had a lot fun with Terezi and Nepeta. I kinda got carried away on this one, I wish I was better at predicting how much effort a thing will be. But this was totally worth the effort I think! Bonus points if you recognised the bag of illicit embezzled beetles. 

insecureillustrator:

FULLVIEW please! Treasure hunting is tiring business! Even if it is just RP!

A commission for zeteticrotary! Gosh I love drawing Terezi’s Dragonyy’yd cape! Oh boy, this took a long time, and if I never have to draw stairs or another leaf again, it’ll be too soon! But I had a lot fun with Terezi and Nepeta. I kinda got carried away on this one, I wish I was better at predicting how much effort a thing will be. But this was totally worth the effort I think! Bonus points if you recognised the bag of illicit embezzled beetles. 

(via zamii070)

Tags: homestuck

(Source: quinnelsa, via zamii070)

Tags: Kim Possible

frigandier:

coven-of-the-articulate:

I’ve seen a lot of fan art and this is one of the best sets I’ve seen :O 

DAMN GOOD go check out e-rr-a.deviantart.com

(Source: sociopatiaparaprincipiantes, via ectolime)

kadeart:

Natasha

kadeart:

Natasha